The slideshows below run through each chord inversion. The “root” inversion is the one where the leftmost note being played is a F#Gb.

F#/Gb (“F#/Gb major” / F#/Gbmaj)

F#/Gbm (“F#/Gb minor” / F#/Gbmin / F#/Gbm)

F#/Gb7 (“F#/Gb seven”)

F#/Gbm7 (“F#/Gb minor seven” / F#/Gbmin7)

F#/GbM7 (“F#/Gb major seven” / F#/Gbmaj7)

F#/GbmM7 (“F#/Gb minor major seven” / F#/GbminMaj7)

F#/Gb7b5 (“F#/Gb seven flat five”)
F#/Gb7#5 (“F#/Gb seven sharp five”)
F#/Gbm7b5 (“F#/Gb minor seven flat five” / F#/Gbmin7b5)
F#/Gb7b9 (“F#/Gb seven flat nine”)

F#/Gb6 (“F#/Gb six”)

F#/Gbm6 (“F#/Gb minor six” / F#/Gbmin6)

F#/Gb69 (“F#/Gb six nine”)

F#/Gb9 (“F#/Gb nine”)

F#/Gbm9 (“F#/Gb minor nine” / F#/Gbmin9)

F#/GbM9 (“F#/Gb major nine” / F#/Gbmaj9)
F#/Gbadd9 (“F#/Gb add nine”)
F#/Gb11 (“F#/Gb eleven”)
F#/Gbm11 (“F#/Gb minor eleven” / F#/Gbmin11)
F#/Gb13 (“F#/Gb thirteen”)

F#/Gbsus2 (“F#/Gb sus two”)

F#/Gbsus4 (“F#/Gb sus four”)

F#/Gb7sus2 (“F#/Gb seven sus two”)

F#/Gb7sus4 (“F#/Gb seven sus four”)

F#/Gbdim (“F#/Gb diminished”)

F#/Gbdim7 (“F#/Gb diminished seven”)

F#/Gbø (“F#/Gb half diminished”)

F#/Gbaug (“F#/Gb augmented”)